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La belle ferronnière
''La belle ferronnière'' is a portrait of a woman, usually attributed to Leonardo da Vinci, in the Louvre. It is also known as ''Portrait of an Unknown Woman.'' The painting's title, applied as early as the seventeenth century, identifying the sitter as the wife or daughter of an ironmonger (a ''ferronnier''), was said to be discreetly alluding to a reputed mistress of Francis I of France, married to a certain Le Ferron. The tale is a romantic legend of revenge in which the aggrieved husband intentionally infects himself with syphilis, which he passes to the king through infecting his wife.
Leonardo's ''Lady with an Ermine'', has also been known by this name. This was once believed to be a portrait of Cecilia Gallerani—one of the mistresses of Lodovico 'il Moro' Sforza, Duke of Milan.〔Luke Syson and Larry Keith, Leonado Da Vinci: Painter at the Court of Milan, Exhibition Catalogue (National Gallery, London, 2011)〕 The narrative and the title were applied to ''Lady with an Ermine'' when it was in Princess Czartoryski's collection, and became confused with "La Belle Ferronniere" by the presence in this image also of a jewel worn on a delicate chain across the forehead, called a ferronnière.
==Attribution==
Although the model of the painting "La Belle Ferronniere" is still shrouded in mystery, the landmark exhibition "Leonardo Da Vinci: Painter at the Court of Milan" (National Gallery of Art in London, 9 Nov. 2011 – 5 Feb. 2012) listed the portrait as possibly depicting Beatrice d'Este, wife of Ludovico Sforza.〔Luke Syson and Larry Keith, Leonado Da Vinci: Painter at the Court of Milan, Exhibition Catalogue, National Gallery (London, 2011)〕 This challenges the portrait's earlier attribution to Lucrezia Crivelli, a mistress of Ludovico.〔"Controversial painting 'La Belle Ferronniere', once thought to be a da Vinci, sells for $1.5M" . New York Daily News. Reuters. January 29, 2010.〕
Bernard Berenson attributed this portrait to Bernardino de' Conti.〔Berenson, ''Italian Pictures of the Renaissance: Central Italian and North Italian Schools'' (1968:48).〕 Giovanni Antonio Boltraffio was suggested by Herbert Cook, who retracted his opinion, seeing Leonardo's own hand, in 1904.〔Herbert Cook, "Some Notes on the Early Milanese Painters Butinone and Zenale. Part III (Conclusion) – Zenale as a Portrait Painter" ''The Burlington Magazine for Connoisseurs'' 5 No. 14 (May 1904:199-2090 p. 201f.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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